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Dr Jekyll and Mr Hyde has been a big influence on my crime fiction, tackling as it does the question of why we humans can so often become inhuman.Ī Dance to the Music of Time by Anthony Powell. I tried reading Kidnapped and Treasure Island in my teens, but only really warmed to their creator later, coming to realise what an extraordinary talent he was. He inscribed my book “Good luck with the Edinburgh Laidlaw”. In 1985 at the Edinburgh book festival I pressed my copy of Docherty into McIlvanney’s hand, explaining that I was in the process of writing about Edinburgh the way he wrote about Glasgow in his Inspector Laidlaw novels. I saw that crime was a way of dissecting society and its varied problems, discussing big themes while being entertaining and thrilling. He had won the Whitbread prize in 1975 for his novel Docherty, but he also wrote crime fiction. He came from a similar background and wrote exquisitely about the world around him. William McIlvanney was a huge influence on me in my early 20s. The author who made me want to be a writer I persuaded them that I should study literature at Edinburgh University. But I was falling in love with the world of books, and Catch-22 made me want to study American literature. My parents thought that accountancy would be a good subject to study, as there would be a decent career at the end of it. I was the “clever one” in my family and destined to be the first to attend university. Joseph Heller, especially for Catch-22, which I studied at secondary school. While my friends were hanging around street corners waiting for trouble, I would be sequestered in my bedroom, writing stories influenced by Burgess’s short sharp novel.
There was a moral purpose to it the language was fascinating. A whole bunch of pulp paperbacks with titles such as Skinhead or Suedehead used to be passed around the school playground, but I felt that A Clockwork Orange was of a different order of merit.
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